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唐探1900
2025 8.0分 喜剧片
  1900年,在美国旧金山唐人街,华裔印第安猎人阿鬼(王宝强 饰)与留美青年秦福(刘昊然 饰)因一场凶杀案偶然结识,误打误撞组成“唐人街神探”组合。开启了一场笑闹探案之旅……
TC国语
哪吒之魔童闹海
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  天劫之后,哪吒、敖丙的灵魂虽保住了,但肉身很快会魂飞魄散。太乙真人打算用七色宝莲给二人重塑肉身。但是在重塑肉身的过程中却遇到重重困难,哪吒、敖丙的命运将走向何方?
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床战四方十规则
2013 10.0分 喜剧片
  A screw ball sex comedy following two couples and their ten rules to a happy healthy and open relationship.
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X计划
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汤玛斯(汤玛斯·曼 Thomas Mann 饰)要过生日了,他在学校里的两个好友科斯塔(奥利弗·库珀 Oliver Cooper 饰)和JB(乔纳森·丹尼尔·布朗 Jonathan Daniel Brown 饰)打算为他筹办一场最疯狂的party,洗刷掉三人的屌丝身份。趁汤玛斯父母出去度周末,三人开始着手准备,他们向高中所有能接触到的同学发出了邀请,用假身份证买了酒,还搞来了摇头丸。入夜,原本担..
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我的怪人父母
2022 6.0分 喜剧片
塔尼娅的父母恰好是俄罗斯卧底间谍。但如果没有任务,他们就有很多时间来监视他们的女儿。坦尼娅的父亲窥探她的生意,而她的妈妈则利用她强大的关系网试图给她找一个好男朋友(只要他不是美国人......)。与此同时,塔尼娅的房地产事业即将发生天翻地覆的变化。一部关于第一代俄罗斯家庭的搞笑电影,故事情节曲折,将帮助您识别伪装的间谍。
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哲姆洛克
1973 10.0分 喜剧片
  哲姆洛克(米歇尔·皮寇利 Michel Piccoli 饰)与母亲和姐姐过着相依为命的生活,他干的是最低级的工作,过的是最卑微的日子,然而,在逆境中,他始终沉默着,没有丝毫抱怨。一次偶然中,他发现了老板和秘书之间的奸情,就这样,哲姆洛克丢掉了他唯一赖以生存的工作。  回到家后的哲姆洛克似乎变了个人似地,他找来锤子把卧室的墙壁砸了个大洞,又用砖头将房门封死。哲姆洛克的癫狂行为给周遭的邻居们带来..
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《从今天到明天》剧情介绍

金海剧场提供影视作品从今天到明天高清全集在线观看的影视全集网,喜剧片《从今天到明天》全集作品的导演是达尼埃尔·于伊耶  让-马里·斯特劳布   ,由内详  主演,从今天到明天在豆瓣的评分为8.0,本片由小编于2024-11-10 04:43更新,希望大家喜欢,可以把《从今天到明天》推荐给你朋友,本作品的地址为 https://www.jinhaiju.com/movie/index40794.html

《从今天到明天》简介:

  Based on an unknown Schönberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schönberg’s atonal score, performed here by 70 musicians. That Schönberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schönberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schönberg canon—and the film such a challenging and intriguing experience.

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